Church of St Beuno

The former unity of nave and chancel has been severed by the large C19 chancel arch. The late mediaeval roof of the nave is of seven bays, with low-pitch arch-braced collar-beam trusses including v-struts and cusping above the collars. Two purlins each side with cusped windbraces. The roof of the chancel is similar but of three bays, except that the east bay, wider than the others, has a panelled and decoratively carved celure of barrel form. Decorative cornice in the chancel. A strong point of the C19 restoration is the decorative coloured quarry tile and encaustic tile flooring.

Plain C19 pews in the nave, with decorative iron lamp standards. Openwork C19 carved Gothic pulpit at left. Octagonal font and base carved in one piece. The west of the nave is separated as a vestry by an open screen. The C19 chancel arch is wide and four-centred, in sandstone, with nook columns each side in black marble. This arch lacked sufficient abutment and is now held by a large steel tie rod. The chancel screen is carved in oak with decorative cornice. One step up to the chancel. Simple C19 Gothic choirstalls and a prayer desk. The organ (an originally hand-pumped instrument, brought from Rûg in 1897) is at left. Two steps lead up to the sanctuary. The Communion rail is hardwood with a hinged lifting section at centre and decorative iron standards. Openwork C19 carved Gothic altar on one plinth step. Stone trefoil-headed C19 alcove and credence table built into the foot of the south window.

All the windows are in plain glass except the north east window of the chancel which contains panels of relocated mediaeval glass (probably originally from the east window), and the north east window of the nave which depicts Christ giving the keys to St Peter, in memory of the Rev. T Ll Williams, 1915.

On the chancel walls are Jacobean carved panels from the Ucheldre seat and a chronogram inscription. On the walls of the nave are a crucifix over the pulpit, a C19 carved panel of the Lord's Prayer, and a white marble memorial to the Rev. E Roberts [1839] and others; a Baroque memorial to William Humffreys of Maerdu [1718] and his wife [1744], with broken rounded armorial pediment, cherub beneath shelf, the memorial dated 1753. There is a table of incumbents since 1535 and drawings of the church before restoration. Near the door is a table of charitable bequests to the poor. In the porch there is a foundation stone laid by Frances Georgiana Wynn on 12th February 1880.

A dug-out mediaeval parish chest stands in the vestry.

The restored mediaeval church consisting of nave and chancel is now dominated by the large C19 tower and stone spire standing to the south, the base of the tower being the porch. The surviving mediaeval masonry of the nave and chancel is local axe-dressed gritstone, with the C19 alterations and additions generally in a slatey local stone with freestone dressings. The west of the nave is strongly buttressed. Slate roofs with coped gables. Corbelled gabled kneelers at the feet of the gable copings, finial cross at the apex of the east gable. Corbel table over a string course at the eaves of both nave and chancel. Plinth with simple offset course at foot of the north, east and south walls. Large renovated Perpendicular east window in five lights with a transom at springing level; two side windows to each side of the chancel, each of two lights without ornamentation. The nave windows are more varied: at south a two light window with trefoiled heads west of the tower, a similar window centrally at north; at north and south the other two windows are of three-lights with trefoiled heads under segmental of four-centred arches. Small pointed west doorway but no west window.

The tower is of three storeys with string courses and crossed lighter coloured buttresses. The belfry lights are large, with mullions, transoms and lesser mullions, to form eight openings with louvres on each face; twin pointed heads with an outer arch of ogee form. Clock faces below the openings. The middle storey has three-light mullion-and-transom openings to south and east, each with a square label mould and a decorative apron of quatrefoil sinkings. The main door is to east, with four-centred arch under a square label moulding. Two-light small window to south. At base is an elaborate high plinth moulding. Staircase annex to west, semi-octagonal with stone roof and slit windows. The spire is octagonal with broaches, small blind traceried mid-height openings above a thin string course, and has a metal cross.