St Issell's Church

The parts remaining from the medieval building are the tower, the N arcade and the chancel arch. The lowest course of stones of the S arcade may also be original, but the arcade is otherwise a restoration. The arcade piers are octagonal with plain caps and pointed arches. The single arch which continues the N arcade in the chancel is a depressed pointed arch. The chancel arch has large round corner mouldings carried down through the caps.

The chancel is short and is raised by three steps at the arch and one further step to the sanctuary. The E bay of the N aisle, opposite the chancel, is also at raised level. This bay has been extended N and contains the organ and vestry. In the tower base is a flight of nine steps leading up to the nave, inserted in the 1864 restoration. There was also formerly a gallery in the tower; its corbels in the N wall and the marks of its staircase in the SW corner remain. The high altar and the altars of each aisle are all of the mid-C20, with a carved crucifixion on the high altar reredos. The three lancets of the E window have a common rear-arch and wide reveals. The pews are modern and there is a modern steel and timber screen at the change of level of the N aisle.

Throughout the church there is a good stained glass of various dates from 1865 to 1925. The oldest is the E window of the N aisle, to E R Stephenson, 1865. A window at the S of the chancel, to the Rev. John Jones, Vicar 1888-1912, contains a representation of the restored church, held as a model in the hands of St. Issell. The E window , to Lady Anne Lewis, contains her portrait in a corner. The E window of the S aisle or Lady Chapel is to C R Vickerman and his wife and sister in law, by Kempe and Tower, 1912.

After the Great War a new pulpit by Caroe was constructed as a memorial, incorporating the roll of honour. It is carved in Perpendicular style, with St George and the dragon. It includes a sounding-board canopy. The font is a square bowl of oolitic limestone with a similar but slightly varied design incised on all faces, with raised scroll features, irregularly symmetrical. There are what appear to be haphazardly placed stars and crescents. Its limestone pillar is probably two reused C12 or C13 column caps, each with a primitive carved "tete coupee" face on one corner.

The church is built on sloping ground with a considerable rise to the N and the E. The tower is at the W end, on the lowest ground. There is a high-roofed nave with a chancel only slightly lower; a N aisle for the full lenghth of nave and chancel, with a roof almost as high; and a lean-to S aisle for the length of the nave only. Its roof is a continuation of the S slope of the nave roof at a slightly lower pitch. There is also a vestry wing at the N and a porch at the S.

The tower is externally the only medieval part. It is built in informally coursed gritstone. The whole of the remainder of the church dates from the 1864 restoration or later, and is in slightly rock-faced local Carboniferous sandstone in snecked courses. The roof is in thick slates with tile ridges and gritstone gable-copings. There are also carved stone cross-finals, one missing.

Restoration work adopted an early English style fenestration generally lancet windows (some paired or stepped), and plate tracery, with label moulds and continuous string course.

The tower is plain but un-buttressed, and a crenellated parapet projects slightly on a string course. The stairs turret is at the NW corner, rising higher and similarly crenelated. The tower has paired belfry openings, with slate-covered louvres, on each face. In the W wall of the tower a group of three squared-headed lights under a square label mould, given light to a former gallery, and a pointed door beneath with a square mould carried down to join the string course.